Lena Savoie
Skin tone alcohol markers are used to create a wide range of natural skin tones, allowing artists to create realistic portraits and illustrations. One popular brand is Ohuhu, which offers a set of 24 skin tone markers with a variety of colours. ArrtxArt also offers a set of 48 skin tone alcohol markers, which include 46 skin tone palettes, one black, and one white marker. When using alcohol markers to create skin tones, it is recommended to use paper intended for alcohol markers instead of regular printer paper. Additionally, layering a grey colour with the skin colour can help to unify the colour scheme and create more realistic skin tones.
| Characteristics | Values |
|---|---|
| Number of markers | 24, 36, 48 |
| Colour range | 46 skin tone palettes + 1 black + 1 white |
| Ink type | Alcohol-based |
| Tip type | Dual-tip (brush and chisel), Fine double tips |
| Ink features | Non-toxic, acid-free, quick-drying |
| Additional features | Carrying case, colour-coded caps |
| Technique | Layering, blending, swatching |
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What You'll Learn
Using reference photos
You can use one reference photo or multiple. For instance, you can use a reference image to copy the shadows, even if the skin tone is different from what you're colouring. If you find it challenging to match the colours from a photo, you can use the colour marker combinations provided in the tutorials.
It's always worth swatching your colours for easy reference. Creating a swatch can be helpful as a permanent reference for future projects. You can make a larger swatch on the paper you'll be using, as the colour of your barrel and lid might not always match the ink inside.
When colouring skin, start by filling the entire face with the lightest skin tone. If your image is large, use the chisel tip to fill the area quickly. For smaller images, the brush tip is perfect for getting into small spaces and staying within the lines.
You can also experiment with layering grey colours with "skin colour" markers to create more accurate skin tones.
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Layering colours
When creating flesh tones with alcohol markers, layering colours is a crucial technique to master. This technique involves applying multiple layers of ink to build up shades and create depth in your artwork. Here's a step-by-step guide to help you get started:
Start with the Lightest Colour
Begin by filling in the entire area with the lightest skin tone colour. This will serve as your base layer. If you're working on a large image, use the chisel tip for faster coverage. For smaller areas and more detailed work, the brush tip offers greater precision and control over pressure and movement.
Add Midtones
Once you're happy with your base layer, it's time to add depth by introducing midtone colours. Work carefully and be patient during this step. Focus on the areas where shadows would naturally fall, such as the hollows of cheeks, the sides of the nose, and under the chin.
Blend the Colours
After applying your midtone colours, go back in with your lightest marker and gently blend the midtones into the base colour. This is done by adding more moisture to reactivate the inks and promote blending. Avoid scrubbing or applying too much pressure, as this can damage your markers.
Introduce Shadows
Now, it's time to add your darkest colours in the areas you want to create shadows. Keep in mind that you can always build up the colour by repeating these steps until you achieve the desired result. If an area doesn't blend smoothly, simply go over it again with the lightest shade to rewet the paper and continue blending.
Final Touches
To add a touch of realism, reflect lighting by adding small white highlights along the dark parts of the skin. This technique will make your colouring pop and add illumination to shadowy areas. Remember, a little goes a long way, so use this technique sparingly for the best results.
When layering colours, it's important to work from light to dark and always add more layers to darken and increase contrast. Additionally, you can experiment with using grey markers behind your skin tones to unify the colour scheme and create more subtle variations. With practice and experimentation, you'll be able to create a wide range of natural-looking flesh tones using alcohol markers.
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Choosing paper
When choosing paper for alcohol markers, it is important to select one that is suitable for blending and does not bleed through. Here are some recommendations and considerations for choosing the right paper:
Firstly, it is recommended to use paper specifically intended for alcohol markers instead of regular printer paper. Printer paper is not suitable for alcohol markers as it absorbs ink quickly, leading to streaking and making blending challenging. It is also not bleed-proof, resulting in ink waste.
When it comes to blending, thinner papers facilitate smoother colour blending but are more prone to bleeding onto the next sheet. On the other hand, thicker papers are rougher and less ideal for blending but offer the advantage of being bleed-proof, making them a better choice for projects intended for framing and display.
If you are looking for a sturdy option, Bristol paper is a popular choice among artists. Basic Bristol pads from well-known brands are readily available at art stores and are suitable for blending. However, some artists have noted that Bristol paper tends to absorb ink quickly, so it may not be ideal for daily drawing if you are using alcohol markers frequently.
If you are seeking alternatives to Bristol paper, there are several options available. Canson Marker Pad, Strathmore 400 Marker Pad, Artika Square Sketchbook, Ohuhu Marker Pad, and the Illo Sketchbook are recommended by artists for their compatibility with alcohol markers. However, it is worth noting that some artists have observed inconsistencies in the quality of certain sketchbooks, so purchasing these papers may require further research and experimentation. Additionally, it is advised to avoid mixed media pads and watercolour pads, as they are designed for better absorption of water or liquid.
When selecting paper, it is essential to pay attention to the thickness, which is typically indicated in grams per square meter (g/m2). While thinner papers can be suitable for quick sketching with light layers, they may not offer the desired blendability for alcohol markers. Therefore, it is crucial to strike a balance between thickness and blendability based on your specific requirements.
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Testing colours
Practising by swatching your colours is a good way to see which colours blend well together and which ones need extra colours in between. This can be done by creating circles of colour to see which combinations work well together. This process can help you find unexpected colour combinations that you might not have otherwise tried.
When testing colours, it is important to keep in mind that the colour of the barrel and lid of the marker may not always be a perfect match for the ink inside. Therefore, swatching colours beforehand can help you choose the right shades for your desired skin tone.
Additionally, when using Ohuhu markers, it is worth noting that they tend to become more saturated with more layers. So, if you are aiming for pale skin or a dull colour, it is recommended to work lightly and use fewer layers. On the other hand, you can use multiple layers of the same colour for some of your shading, creating a more vibrant and saturated effect.
Overall, testing colours and practising with different combinations is an essential part of learning how to create realistic skin tones with alcohol markers.
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Using midtones and shadows
When it comes to using midtones and shadows to create realistic skin tones with alcohol markers, there are several techniques to consider. Firstly, it is important to select the right paper, as paper intended for alcohol markers can make a significant difference in the final outcome. Testing out colour combinations and shading techniques on a smaller version of your colouring page can help you gain confidence and make any necessary adjustments. This practice allows you to identify areas that may be too dark or need alternative colouring approaches.
To create realistic skin tones, it is essential to understand the role of midtones and shadows. Midtones are the colours you use to transition between the highlights and shadows in your artwork. They help to create depth and give your artwork a three-dimensional appearance. When working with alcohol markers, it is recommended to start with the lightest skin tone as your base layer. This initial layer serves as a foundation for building up the subsequent midtones and shadows.
To add depth to your artwork, you can introduce midtone colours over the areas where you have established your shadows. This technique helps to enhance the sense of depth and create a more seamless transition between light and dark areas. By using multiple layers of colours with varying intensities, you can achieve a more realistic representation of skin tones.
When working with shadows, it is crucial to consider the natural fall of light on the subject. Observing where the light naturally falls will guide you in placing your shadows effectively. You can use the same marker as your base layer and apply a second layer in the shadowed areas, adding depth and dimension to your artwork. Additionally, layering a grey colour behind your skin tone markers can help unify the colour scheme and prevent it from becoming too saturated.
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Frequently asked questions
Ohuhu, ArrtxArt, and Master's Touch all offer marker sets for creating flesh tones.
Realistic flesh tones can be created by combining different sets of colours for highlights, midtones, and shadows. It is recommended to use reference photos to copy shadows and light reflections.
Paper intended for alcohol markers is recommended instead of regular printer paper.
Alcohol markers can become oversaturated with multiple layers. To avoid this, work lightly and use fewer layers when colouring pale skin or dull colours.
